If the tenor has an E-flat, that note is solmizated as fa, and the following D must be mi …—Jan Herlinger, in Explorations in Music, the Arts, and Ideas, 1988
… there may be more than one correct way of solmizing a given passage.—Geoffrey Newton Sharp, The Music Review, 1969
Whether Guido himself used the syllables to name the steps, let alone to solmizate, must remain a matter of conjecture …—Karol Berger, Musica Ficta, (1987) 2004
… the perversion of incorrect solmizing …—Margaret Bent, Counterpoint, Composition, and Musica Ficta, 2002
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