Bad Boys 4: Ride or Die with a palpably slower, thicker Martin Lawrence (*collective squint) nears $300 million globally.
—
Rob Marriott,
VIBE.com,
30 Dec. 2024
Through squints, yells, and outsize reactions, Tadanobu Asano created a character whose interiority is always roiling and reaching, someone who finds life unfulfilling and doesn’t understand why this is all there is.
Her understanding of her body and her steely gaze has only deepened since then, culminating in her Best Actress win at the Academy Awards for 2022’s Everything Everywhere All at Once.
—
Angelica Jade Bastién,
Vulture,
7 Feb. 2025
The cover image is one of several that show Barbara with her dark hair obscuring her face, an adolescent Cousin Itt, hiding from the parental gaze.
Faithful stares at her younger image with a hint of wistful pride.
—
Debra Rae Cohen,
Rolling Stone,
10 Feb. 2025
With a thousand-yard stare and shaky words, Fisher recalled watching his best friend get beaten to death and his sister-in-law beaten within an inch of her life.
The impersonal, modernist thrill of watching strangers on the crowded subway has been eroded, but those strange leers have also been replaced by actual fellowship on group text chats.
—
Ian Bogost,
The Atlantic,
26 Aug. 2024
Director Sarah Blush and her excellent six-woman ensemble have taken note — even when Williams’s text periodically wavers or thins, Coach Coach remains a delicious showcase for their all-out commitment to every gasp-inducing revelation, ominous leer, and sudden but inevitable betrayal.
Jayne and their team also realized additional implications after studying and extrapolating the scalability ratio between their mouth gapes and cranial structures.
—
Andrew Paul,
Popular Science,
24 Oct. 2024
That’s two-thirds of its own mass, and 93% of its maximal gape area.
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